Apple Loops Artist Pak: Jerry Marotta (16-bit)


MSRP $39.00
Price: $29.00
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Product Information

Jerry Marotta is a world class drummer who has worked with Peter Gabriel, The Indigo Girls, Hall and Oates, Tears For Fears, Elvis Costello, Paul McCartney, Todd Rundgren, 10,000 Maniacs, Sarah McLachlan, Suzanne Vega, Dream Academy and many more. From big African rhythms on his Yamaha and Taos drum kits to inventive rock grooves with his unique style and feel

What are the Studio Profiles?

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Brought to you by leading edge sound developer Sonic Reality, Studio ProFiles focuses on the best of the best when it comes to sample sessions with legendary artists, famous instrument brands, top studio gear and authentic musical styles. Here you’ll not only be able to get a behind the scenes look at famous studio sessions and live performances but also purchase Studio ProFile series sound libraries that are like having access to the multitrack masters of classic albums and films to use in YOUR OWN MUSIC!
 
Through products into the Studio ProFile series your music and visual productions can have a sound that would otherwise cost you hundreds of thousands of dollars in studio time, gear rentals and the fees of top engineers, producers and session musicians for a small fraction of the cost.

Legendary Artists

Each title in the Studio ProFiles series "profiles" a different world-class musician or a specific musical genre/style and includes legendary musicians playing grooves and phrases with the feel they are famous for.

Specification/Requirement


Operating System
Sample Format
sounds may be used in all samplers supporting the following formats
Manufacturer



Audio Demos


Additional Information



Each loop in this library is offered in Apple Loops format for use directly in Garage Band, Soundtrack, Logic or any other Apple Loops compatible DAW or sampler.


This library is also offered as a R.A.W. Style Pak, which includes all 3 formats (Rex, Apple Loops and Wave) of each loop for the ultimate in groove control and flexibility.


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